Saturday, March 31, 2012

Usher's Looking For Myself Due June 11

Singer announces that he's teamed up with Salaam Remi, Rico Love, Jim Jonsin and Max Martin for his latest album.
By Jocelyn Vena

<P>On his Diplo-produced slow jam, Usher took fans to the <a href="http://rapfix.mtv.com/2012/02/16/usher-diplo-climax-love-affair-song">"Climax"</a> and gave them and a sensually searing tease to his upcoming album, <i>Looking for Myself.</i> </P><P> </P><P>On Friday (March 30), Usher announced that along with Diplo, he also teamed up with Salaam Remi, Rico Love, Jim Jonsin and Max Martin on the album, due June 11. He's expected to release both a standard and deluxe version of the album. </P><P> </P><P><center><embed src="http://media.mtvnservices.com/mgid:uma:video:mtv.com:713197/cp~vid%3D713197%26uri%3Dmgid%3Auma%3Avideo%3Amtv.com%3A713197" width="460" height="260" type="application/x-shockwave-flash" allowFullScreen="true" allowScriptAccess="always" base="."></embed></center> </P><P> </P><P><i>Looking for Myself</i> is the follow-up to 2010's <i>Raymond v. Raymond</i>, which launched mega-singles like the ubiquitous will.i.am-produced "OMG," as well as "Hey Daddy (Daddy's Home)," "Lil Freak," "There Goes My Baby" and "More." He also maintained radio presence thanks to his inescapable collaboration with <a href="/news/articles/1674782/usher-david-guetta-without-you.jhtml">David Guetta, "Without You,"</a> in 2011. </P><P> </P><P>"He has very specific ideas of where he wants to go musically and sound-wise," <a href="/news/articles/1675448/usher-album-taio-cruz.jhtml">"Without You" collaborator Taio Cruz</a> told MTV News about Usher's next release. "He always wants there to be the soul in there. I'm kind of, not the opposite, but I'm always like, 'Let's get straight to the point and be really clear with the message and be simple.' So we try to match those two worlds together: being soulful and, at the same time, catchy," </P><P> </P><P>Given their work on "Without You," that may give fans an idea of what the twosome have up their sleeves for <i>Looking For Myself.</i> "I think the world wanted a record like that. That [song] really spoke to the journey that I've actually been on in the last three years," Usher said about that song and how it relates to his musical philosophy. "Traveling all around the world, music sounds different. There's many different genres, and when you see R&B and pop and house, as well as electronic, come together, that's the reality of what music is." </P><P> </P><P><i>What do you hope to hear on </i>Looking for Myself.</i>? Leave your comment below!</i></p>

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Friday, March 30, 2012

How Are Snoring and Sleep Apnea Connected?

Snoring and sleep apnea often go hand in hand. When someone has sleep apnea they have breathing issues while they sleep. Often these breathing issues lead to snoring.

When suffering from apnea the person has breathing that is shallow or paused for up to a minute. The airway is obstructed making it difficult to breath. There are three types of sleep apnea including central, mixed and obstructive. Central and obstructive are both common forms with obstructive the widest suffered. There are even individuals that have a combination of central and obstructive types, which are known as mixed. When a person has sleep apnea they often make a choking or snoring sound while sleeping that often occurs. It could wake them up or they could sleep through the episodes.

Having sleep apnea will cause not only sleep deprivation, but other health issues, such as chronic heart conditions.

Those suffering will have fatigue, sleepiness during the day, dry mouth upon waking as well as a sore throat and a morning headache.

Getting an apnea diagnosis can be difficult. Often because the person suffering can?t explain all the symptoms since they are asleep. This is when if they have a partner it could help them to take notes of symptoms. Another reason it is difficult to diagnosis is many of the symptoms for the three types are similar. That makes it important to discuss every symptom and how you are feeling with your doctor. A detailed list of symptoms and anything else you can consider discussing will help you get the treatment you need.

Not everyone that snores has sleep apnea.

Nevertheless, everyone with apnea has to be treated. If they don?t seek treatment it could become a life threatening condition. Many individuals could suffer from a heart attack, oxygen deprivation, hypertension and high blood pressure.

The most common way to treat apnea is to use a CPAP machine known as a continuous positive airway pressure machine. This has a mask that is placed over the patient?s nose and mouth while they sleep. It helps them get oxygen continually. Using such a treatment also decreases snoring. Other options include lifestyle changes including a change in diet and exercise. It is also suggested to reduce or end smoking and alcohol consumption as well as losing weight.

Anyone that is concerned that they have sleep apnea and not a simple snore should contact their doctor. There are even sleep specialists that can help in this situation.

Resources on sleep health and information on sleep disorders and apnea. For the latest information on sleep disorders please visit http://www.sleep101.org/

Source: http://www.a1article.net/health-and-fitness/how-are-snoring-and-sleep-apnea-connected-55770.html

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Thursday, March 29, 2012

With Security Systems, New Jersey Businesses Can Stay Safe

When you are interested in security systems, New Jersey has the best selection of contractors for you to choose from. If you own a business, you need to have a security system installed to protect your inventory. Even if you do not have a warehouse full of merchandise, you still will have technology that you own and doing what you can to protect your belongings is important. A security system is much more affordable than you may think and there are several security systems new jersey businesses can select from, ensuring that you will be able to find just the right option for your needs. Choosing to research the best security systems New Jersey security companies can offer you is important, because you want to find the right option to protect your business from break-ins and to keep your inventory safe.

Source: http://www.blueflowerproject.org/home-and-family/with-security-systems-new-jersey-businesses-can-stay-safe/

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Friday, March 23, 2012

Fohnhouse.com | Movies, TV, Art & Entertainment: Spiritismes: An ...

?I was a Romanian vampire??Appearing in four of the films in the Spiritismes project, Elina L?wensohn is the definition of multi-faceted. A favourite of Hal Hartley, she has appeared in an impressive array of projects, from Seinfeld to Schindler?s List. When I got to speak with her she had her hair up in a Helena Bonham-Carter-challenging do, and looked every bit as much the elfin and beguiling creature that one sees in her film roles. Her warm approachability and friendly laugh, however, set her far apart from her sometimes detached and unemotional characters. I began by telling her how much I love her 1994 film Nadja, in which she plays the titular vampire. Fortunately, it seems that she does too, and she posed for a picture bearing a suitably ?Nadja? expression. Udo Kier appeared, and I noted that this put two of my favourite vampires together. ?I did a vampire too!? she called to him, ?I was a Romanian vampire!? (Mr Kier pointed out that this made sense, as Count Dracula was Romanian, to which Ms L?wensohn noted that Nadja was Dracula?s daughter).I had to check the pronunciation of her name (which is actually just as it looks), and she admitted to being a fan of Udo Kier too. Our conversation finally got around to Spiritismes, and how she had become involved in the project: ?It is thanks to the casting director that was working with Guy Maddin, and also Guy knew the work I have done so he was immediately very open to meeting me. And eight years ago, in fact, I wrote him an email because I wished to be cast in his films. I even said to him in the email with my ego ? which I have never done to any other director ? ?I would be perfect in your films!? He never answered. However, when I met him this time he remembered that I wrote to him years ago. It?s funny, he didn?t forget that ? I?m very happy to finally get the chance!? And was she angry that he hadn?t replied before? ?No! No. But I did write to him because when I saw the films I thought that this is exactly the sort of universe I would feel very comfortable in?.

Her unique style certainly fits well with Guy Maddin?s vision. Originally slated for two days, she ended up doing four. ?Probably because he?s happy with what I?m doing, I don?t know? she noted, charmingly self-effacing. Before our interview I had watched her working some magic on Udo Kier against a rather psychedelic back-projected forest while Maddin called requests from the other side of the screen, and a gaggle of tourists snapped away from all sides. Elina was entirely unfazed by these conditions, though: ?I love it! The Pompidou Centre?okay, it?s nice that they support this sort of work ? I think it?s great ? but what I love is the universe [Guy Maddin] creates, and everybody?s inventing constantly, and it?s almost like a work in progress. This to me is not like the classical, conventional type of filming. I think that Guy Maddin might work more specifically but in a similar way in his feature films, and this is what I personally love!?

I had to bring the conversation back to Nadja, and her memories of it. I noted that it was quite a while ago now (the film was released in 1994). ?It is! I?m getting older?I?m getting old in fact! The major thing?the director of photography was taking such a long time to prepare the shots, and it was just impossible, and then I realised how beautiful everything was. The fact that we shot only at night, so we felt like vampires. The invention, the freedom ? the independent scene of that time, which I have not met again later on, because it was Michael Almereyda, Hal Hartley, and that changed with the years?.?Hal was my beginning??

How was (and indeed is) working with Hal Hartley? ?He saw me in some plays, we did Theory of Achievement, and that was the first film I ever did. And then I did Simple Men. So Hal is my beginning?I admire what he is about, and I?m extremely grateful to have begun with someone like him - because at the time of course, we never realise when we do a project if it?s going to be written in history or not. But both him and Michael Almereyda, these films ? even though Nadja is not known in France, it has become a real cult film ? represent a period of time in cinema that today almost is nonexistent. Or maybe it?s existent with people like Guy Maddin, who are doing in a similar way, inventing and having the freedom to invent and create cinema.?Elina works not only in different genres, but also different languages ? ?because I moved around?, as she put it. The last film I saw her in was Lourdes, released in 2009. Her performance, as a nun suffering with cancer, is particularly affecting. I asked if she had had any experience of the religious side of things before making the film. ?No?It was maybe the sort of conviction, an extreme conviction in something spiritual, and the fact of the double sides of when we really wish for something spiritual and good and yet because of the extremeness of it we become tough ourselves. The one thing that disappointed me about this film ? I don?t know if you realised it ? was that it was not my voice. I did it in French, and they changed my voice. I was in the Order of Malta [in the film ? Ed], and they were afraid that people would be confused about me having the only accent in the film and that God would punish someone with an accent?isn?t that wild?! So this was why they considered that it would be better to have it homogenous. But it?s okay?it was a very good film, so this is why I didn?t do a lawsuit or things like that?.?This is what excites me??How many languages does she speak? ?I speak Romanian, English, French ? Romanian the worst. When I did, years ago, The Wisdom of Crocodiles, very different from Nadja ? I didn?t personally like it?but people liked it so I don?t want to take it away ? there I did the English/French, but usually I?ve not been asked because either I do it in French or English and it?s not necessary that they come over. Now more and more I do films in France.? ?I asked as a final question if she might have an ethos as an actress. ?No?even though I might have more of an expressionistic or minimalistic type of nature to the acting, even though I never forced it or looked for it. It?s really simply the script, and wishing to plunge myself in the unique universe of an auteur, if that universe exists. If not, I just do my job and I get paid a certain amount of money (when I get!) for certain films that I don?t care so much about. But for those I care about, this is what excites me and what makes me give over.?

MP

Source: http://fohnhouse.blogspot.com/2012/03/spiritismes-interview-with-elina.html

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Cartier Men&#39;s W31088U2 Pasha Stainless-Steel Ceramic Automatic ...

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Thursday, March 22, 2012

BlackBerry Partners Fund Manager ATP Rebrands As Relay Ventures, Raises $150M

relay venturesATP Capital, the firm that runs JLA Ventures, Clairmont Capital, and BlackBerry Partners Fund, is ready to start investing a new $150 million fund ? and it will be doing so under a new name, Relay Ventures. Technically, the new fund will be called the BlackBerry Partners Fund 2, but it sounds like the firm will be deemphasizing the individual funds in favor of the larger Relay Ventures brand. Just looking at all the names listed in the paragraph above should give some sense of Relay's previously fragmented identity. The BlackBerry fund is particularly confusing, since it's not a BlackBerry-exclusive fund, nor is it the official venture arm of BlackBerry-maker Research In Motion. (However, RIM is a limited partner in both the initial BlackBerry fund and the new one.)

Source: http://feedproxy.google.com/~r/Techcrunch/~3/Ny2dXgFq3L0/

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Wednesday, March 21, 2012

Machine Gun Kelly Fought 'Wild Boy' Initially

'Maybe I should just hate every song I'm about to release,' MGK tells MTV News about his Half Naked & Almost Famous single.
By Rob Markman


Machine Gun Kelly
Photo: Jerod Harris/ WireImage

Machine Gun Kelly relishes the underdog role, but the Cleveland, Ohio, rapper racked up another serious win on Tuesday (March 20) when he dropped his Half Naked & Almost Famous EP on Bad Boy Records. The five-song digital release marks MGK's first major-label release and serves as a warm-up for his official debut LP.

Tracks like the riot-starting "Warning Shot" and the J.U.S.T.I.C.E. League-produced and soul-bearing "See My Tears" help balance out the quick fix, but the EP's anchor is its first single, "Wild Boy." Initially MGK was skeptical about leading his charge with the Waka Flocka-assisted track, but Diddy talked him into it. "He was the one who encouraged 'Wild Boy,' he encouraged the whole thing. I was like, 'Nah, no way, we gotta go serious with the serious stuff right now,'" MGK told MTV News during a January sit-down. "If we would've went that route, I would've fizzled off real quick"

Kells was down on the Spiff TV-directed video as well after a miscommunication between Waka and his mom/manager Deb Antney almost halted production. "We had all these initial plans, but none of them fell through," he said. "It was almost a wrap on it because Waka's mom didn't tell him that he had a video shoot today. So I was like, 'Come on, hurry up,'... He was like 'Video shoot? What are you talkin' about?' "

Waka eventually made it to the shoot and in the end everything worked out. Now, MGK understands the value of strong lead single. "I accept it. I totally accept it. I accept what it does for the people in the crowd and I accept what it did for my recognition."

In fact, thanks to "Wild Boy" and the tons of touring MGK does, the MC was able to gain enough support to be able to release Half Naked & Almost Famous and its accompanying documentary. "Maybe I should just hate every song I'm about to release," he joked.

What's your favorite song off of Half Naked & Almost Famous? Tell us in the comments!

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Source: http://www.mtv.com/news/articles/1681460/machine-gun-kelly-mgk-wild-boy-single.jhtml

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Tuesday, March 20, 2012

Blurring The Line Between Life And Death

Copyright ? 2012 National Public Radio?. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.

TERRY GROSS, HOST:

This is FRESH AIR. I'm Terry Gross. My guest, Dick Teresi, is the author of a new book about how medicine is blurring the line between life and death. For example, if you have opted to be an organ donor, if you are declared brain-dead after that declaration, you may be placed back on a ventilator to keep your lungs working and heart beating until after the organ removal process.

Last week in a Wall Street Journal article adapted from his book, Teresi said that when we choose to be organ donors, we are not really giving our informed consent, and he laid out some facts about organ donation that you may not know.

But doctors and others who work with organ donation programs say that Teresi is unnecessarily frightening people and could discourage people from becoming organ donors. We're going to hear from Teresi and then from transplant surgeon Dr. Richard Freeman, chair of the Department of Surgery at Dartmouth Medical School.

Dick Teresi's new book is called "The Undead." He's also co-author of "The God Particle" and the author of "Lost Discoveries: The Ancient Roots of Modern Science." He's a former editor-in-chief of Science Digest, Longevity and Omni.

Dick Teresi, welcome to FRESH AIR. One of the blurring lines between life and death is something that you write about when a pregnant woman is declared brain-dead. She can be kept on life support for the sake of the child that she's carrying, depending on how advanced the pregnancy is. And, you know, there have been instances where the woman has been kept on life support until the baby can be delivered. How often does that happen?

DICK TERESI: Since about 1981, it's happened 22 times. There have been 22 women kept on life support after they're declared brain-dead and who gave birth.

GROSS: And how does that blur the line between life and death?

TERESI: Well, I would just think that gestating a baby and giving birth is a sign of life.

GROSS: Let's start with a story that you tell at the beginning of the book, the story of a patient in an ICU unit. She's declared brain-dead. Then what happens?

TERESI: Well, the interesting thing about being declared brain-dead is that the expression pull the plug is not really applicable. They do pull the plug in the final stage of the exam for brain-death, which is to say they disconnect the ventilator to see if the patient can breathe on her own, and in this case she couldn't. And because she could not breathe on her own, she didn't gasp for air. That means she's officially brain-dead.

What happens then is that the ventilator is re-connected. It has to be reconnected if this person's organs are going to be harvested because the whole point of brain-death is to select people for organ donation who are mostly dead. They're still a little bit alive, meaning that you turn the ventilator back on, the lungs will continue to work, she'll continue to breathe, her heart will then restart, continue to pump blood, keeping the organs fresh for transplant.

The hearts are still beating in brain-dead people who are being quote-unquote kept alive, and they can get heart attacks, so that you'll see a crash unit going to a - responding to a code blue, and it'll be a dead person, and they'll quote-unquote resuscitate them with the defibrillator paddles.

GROSS: So what does that say about what the new meaning of dead is?

TERESI: Well, the new meaning of dead is, for most people, is pretty much the old meaning, which is your heart stops, you stop breathing, and they can't restart you. That's very important, the inability to restart you because death is supposed to be irreversible.

The new meaning, this - which applies to maybe one percent of the population of brain death - is what one doctor called pretty dead. You're dead enough so they can legally take your organs but not so dead that those organs aren't any good.

GROSS: One of the things you write about is a test to determine death that a Harvard committee of doctors wrote up, and this was - when did they do this?

TERESI: 1968.

GROSS: And tell us what this test is for determining death.

TERESI: Well, these were 13 men, Harvard Medical School, and they came up with a simple test for telling when a person was dead. And there was - it simply meant that you didn't have responses, you weren't moving, you were unresponsive. They didn't have many details of how to determine this. And then what's called the apnea test, where the ventilator is stopped, and the doctor tries - sees if you can gasp on your own, if you can breathe on your own.

So when you - it's proved that you cannot breathe on your own, and there's no movement, no reaction, then you're brain-dead. They had a fourth criterion, which was an EEG, which they said was a confirmatory test.

GROSS: So does a test like this always have to be administered, or are there certain conditions in which it's more ambiguous if you're alive or you're dead and you need a test like this?

TERESI: It would not be administered if your heart has stopped. Your heart - when your heart stops beating, and you stop breathing, that's usually good enough for death. The problem is at that point, you are not a very good organ donor. So if you have someone who is ? say, has head trauma from an accident or has had an aneurism, those are the most common instances of brain death, but whose heart is still going and who's still breathing on a ventilator, then you might declare the - use the brain-death test.

GROSS: And if a person is declared brain-dead, what are the legalities of either taking them off or leaving them on life support, and who determines that? Is it the doctor or the family or the papers that the person has left behind sharing their wishes?

TERESI: At this point, as George Annis, who is a lawyer who studied this, he says, you're in or you're out. You're either alive or you're dead. And if you're proclaimed brain-dead, then you have lost all your constitutional rights, and they can turn the ventilator off forever, or they can keep it going, and there's no time limit.

There's this problem, is that you're dead. You're legally dead. It doesn't matter that you're still breathing with a ventilator, that you're still getting bedsores, that you get diabetes. All these things happen to you after you've been declared brain-dead.

GROSS: Now, your writing and your lectures on this subject of how bodies are kept going on ventilators until organs are harvested, and this is, as you say, only in, like, less than one percent of people who die ? I mean it's not like everybody goes through this. But anyways, your writing and speaking about this is making a lot of people really angry because organ donation is very important, and some people are afraid that what you're saying will discourage people from signing up for organ donation, and I think that's a legitimate concern, that what you're saying might scare some people.

TERESI: Well, it's topic I got into not knowing what I was going to find. I went off to write a book about death, per se. What is it from a scientific point of view? And I started with a very basic question: How do we tell when a person's dead? And that ended up being the entire book because I thought it was a very simple question, and it turns out not to be a simple question at all.

And my role is that of a journalist, and you don't change the facts to assuage people's feelings.

GROSS: Dick Teresi is the author of the new book "The Undead," about how medical technology is blurring the line between life and death. Many transplant surgeons, including my next guest, object to how Dick Teresi describes the organ donor process and fear that he's unnecessarily scaring people.

My guest, Dr. Richard Freeman, is chair of the Department of Surgery at Dartmouth Medical School. He's a board member of the Organ Procurement Treatment and Transplantation Network and serves on the board of trustees at the New England Organ Bank. He's been a transplant surgeon for 25 years.

Dr. Freeman, welcome to FRESH AIR. I want - I don't usually talk about myself on the show, but I want to start by saying I've always checked the organ donor box on my driver's license and I intend to keep doing that. But in interviewing Dick Teresi, I started thinking about what I don't know about what it means to be an organ donor, and that's why we all so much wanted to hear from you.

What I found most surprising in talking to Dick Teresi was that if you've been declared brain-dead, after you've been taken off the ventilator, you're put back on it so that your body can continue to support the organs that you wanted to donate.

It seems at that point you're neither fully dead nor fully alive. What state do you call that?

RICHARD FREEMAN: Well, you're absolutely dead. The removal from the ventilator for the temporary period of time that he describes is actually not - it doesn't have anything to do - it's a test that we use to confirm brain death. So...

GROSS: Describe the test.

FREEMAN: It's called an apnea test, and essentially for a short period of time the potential donor's removed from the mechanical ventilation to see if they breathe, and if they don't breathe, they're brain-dead. Their heart may be still beating, is still beating in that - they don't breathe, they're brain-dead.

GROSS: And you can determine that because it's the brain, it's a certain part of the brain that controls the respiratory system, and if they're not - if you're not breathing, it means that part of the brain isn't functioning.

FREEMAN: It's one of the most primitive parts of the brain, and so if that most primitive part of the brain is not functioning, the brain, any other higher function of the brain, is also not functioning. And that is, you know, the sine qua non for determining brain death.

GROSS: So if you've determined brain death, the person's been taken off the ventilator, they can't breathe.

FREEMAN: Correct.

GROSS: So therefore they are legally dead.

FREEMAN: Absolutely.

GROSS: But if they want to be an organ donor, then they're put back on the ventilator to keep the organs fresh until they're ready to be removed.

FREEMAN: Yeah, fresh is probably not the right word.

GROSS: Thank you. You know, the language for this is so baffling to me. I really don't know enough to know what words to use. We were talking before this interview, words really matter in a situation like this.

FREEMAN: Words always matter in all situations, but in this situation in particular, the first most important thing that all of in the field want to keep in mind is respect for the donor, for the donor's body, the donor family, and that's why words really matter in this situation.

And so the organs, the oxygenation that is required to maintain good organ function, is why the person is put back on the ventilator after the apnea test.

GROSS: So what state is that body in? You've said the body is dead, it's just clearly dead.

FREEMAN: The person is dead.

GROSS: The person is dead, but the body is still ticking, so to speak. The heart is working, the lungs are working, because they're being made artificially to work through the ventilator. So the body still has vital signs. But you're saying the person is dead. So it's a state I'm not used to thinking about, this kind of pulsing body that's legally dead.

FREEMAN: That's essentially the situation, but the person - it's not even legal. It's physiologically this person is dead. So before there was ventilators, there was never this issue because once your brain stopped functioning to make you breathe, the oxygen stopped being delivered to the organs, and your heart stopped.

And now that we have ventilators, it becomes important to understand other ways that the person dies, and you can maintain oxygen to the organs through the ventilator after they're dead, and that's precisely what happens in this situation.

GROSS: So that's what the organs need, is the oxygen?

FREEMAN: Which is delivered by the blood, yes.

GROSS: Right, OK, so it needs the blood to get the oxygen.

FREEMAN: Right.

GROSS: So for how long, typically, is a body of a person who is dead kept on a ventilator before the surgical procedure to remove the organs?

FREEMAN: It's a variable amount of time. It depends on getting the surgical teams organized. Sometimes they travel from long distances away. You have to get into the operating room to do the procedure. So it's - it can be a few hours to sometimes more than that. Occasionally too we want to make sure that all of the family that needs to be around for this process or wants to be around for this process is available, and sometimes the donation procedure in the operating room is delayed until other family members arrive.

GROSS: Now, I know a lot of people will be thinking: If the heart is beating, and the lungs are working - and I imagine the body is kept on the ventilator during the surgical procedure to remove the organs?

FREEMAN: Right up to the point that they're removed, yes.

GROSS: Is it conceivable that this body, although legally dead, would experience anything that we would think of as pain?

FREEMAN: No. The sensation of pain requires upper-level brain function, and as we said, the apnea test proves that there is no upper-level brain function. And so it is not possible if somebody has been declared brain-dead by the apnea test or other tests that we use for there to be pain to be experienced.

GROSS: There's an anesthesiologist at the surgical procedure?

FREEMAN: Usually at the beginning of the surgical procedure, that's right.

GROSS: For what function?

FREEMAN: To - well, again, these people frequently are traumatic brain injuries, and they are there to be sure that the oxygen and the blood flow are as good as they can be in this situation, to maintain the organs in this person who is already dead. They do often administer medications to limit the muscle spasms that occur in these situations as reflexes.

So even though the upper brain and the primitive brain is not functioning, the spinal cord, in many cases, still functions. So reflexes, again, a reflex, the word means you don't need your brain to interfere in that process. A reflex happens without your brain being alive, essentially. But they still happen in this situation, and so the anesthesiologist administers medications to limit those reflexes not because a person's alive but because those reflexes interfere with our ability to remove the organs.

GROSS: My guest is organ transplant surgeon Dr. Richard Freeman, chair of the Department of Surgery at Dartmouth Medical School. We'll talk more after a break. This is FRESH AIR.

(SOUNDBITE OF MUSIC)

GROSS: My guest is Dr. Richard Freeman, who has been an organ transplant surgeon for 25 years. He's chair of the Department of Surgery at Dartmouth Medical School.

Now, is it only people who have been declared legally brain-dead who are candidates for organ donation?

FREEMAN: So yes, there's another way that we procure organs from people who have died, and that is in a situation where the brain is still functioning on some basic level, so the person does not meet the criteria for brain death, but they have a devastating brain injury, and the family and the people delivering the care to this person have all reached the conclusion that it really doesn't make any sense to continue to provide maximal treatment and that the plan, with the family's wishes, is to withdraw the care.

And in most cases that will mean turning the ventilator off or removing the ventilator. Many people, fortunately, feel very strongly that they want to be organ donors and that in a situation where the brain injury is completely irreversible and there's nothing left to be done, they still want to be organ donors, and in that situation we then go through a procedure that is called donation after circulatory death.

And that means that in this case the donor is declared dead because the heart has stopped. Their brain is still functioning at some level, but there's no hope of recovery. The ventilator is turned off, and if the heart stops in a period of time that results in not too long a period of time without oxygen to the organs, then they can qualify to be an organ donor in that situation as well. So that's donation after cardiac death.

GROSS: In a situation like that, where part of the brain had still been functioning, does the issue of pain arise during the surgical procedure to remove the organs?

FREEMAN: No, because the brain - again, it's the final pathway - the final common pathway is no brain function. In the donation after cardiac death situation, the brain has some function, but once the heart stops and the blood stops getting delivered to the brain, the brain then stops functioning too. And just like in the brain-death scenario, once the brain stops functioning, there's no pain sensation. You don't have any sensation of pain.

GROSS: So you're dead long enough before being put on the ventilator to ensure that the brain has ceased to function.

FREEMAN: Well, in the donation after cardiac death, there's no putting back on the ventilator.

GROSS: Oh, I see.

FREEMAN: So you turn the ventilator off, and you wait until you're sure that the heart has stopped beating and is not going to restart again, and generally that's 30 minutes to an hour, sometimes two hours, is an acceptable period of time, and if that occurs, then you proceed to remove the organs. There's no ventilator put back on in that situation.

GROSS: So in a situation like that, the organs have to removed immediately.

FREEMAN: Yes, well, immediately after the person is declared dead.

GROSS: Exactly, exactly, exactly. A lot of people have DNRs, do not resuscitate orders, so that they don't want to be kept alive on life support if there's no chance that they will ever recover in a way that they can function on any level, that their brain could really function, that their body could really function.

So if you have a DNR, what does that mean about whether you would be put on a ventilator for the purposes of organ donation?

FREEMAN: Absolutely not. So if you have a do not resuscitate order, that means do not restart the heart if it stops, and in most cases that means do not start the ventilator in the first place. There are some hospitals some places where they separate the do not resuscitate from the do not intubate - intubate means put the breathing tube in your throat and put you on the ventilator.

And if you have those orders in place, those should never happen, in which case you never get to the point of being on the ventilator.

GROSS: Dr. Richard Freeman will be back in the second half of the show. He's a transplant surgeon and chair of the Department of Surgery at Dartmouth Medical School. I'm Terry Gross, and this is FRESH AIR.

(SOUNDBITE OF MUSIC)

GROSS: This is FRESH AIR. I'm Terry Gross.

We're talking about the process of organ donation. Earlier, we heard from Dick Teresi, author of the new book "The Undead," about how medical technology is blurring the line between life and death.

Perhaps his most provocative example has to do with organ donation. If you have opted to be an organ donor and are declared brain dead, you may be placed back on a ventilator to keep oxygen circulating through your body to support your organs until they are removed.

After speaking with Teresi, we called on Dr. Richard Freeman, who thinks that Teresi may be unnecessarily scaring people and wants to explain how organ donation works and the reasons behind certain procedures. Dr. Freeman has been a transplant surgeon for 25 years and is chair of the Dartmouth Medical School's Department of Surgery.

One of Dick Teresi's points in his book about the blurring line between life and death is that a lot of people who give their consent to be organ donors, giving informed consent, because they don't really understand what the process is going to be. They don't understand that they may be declared brain dead and then maintained on a ventilator until their organs are ready to be removed and transplanted.

Do you think that that should be a game changer for anybody?

FREEMAN: No. And I think it should be the reverse. I think if people understand how compassionate and how thoughtful and how caring the organ donation process is, and how it is an essential part of the end-of-life decision-making that needs to go on for anybody who is in the situation, actually, I think more people would donate.

GROSS: You know, but his - Teresi's attitude is they're intentionally - the organ donation people are intentionally keeping this information away from us because they're concerned that if we knew all this, we wouldn't want to be organ donors.

FREEMAN: I'll say he's flat-out wrong.

(SOUNDBITE OF LAUGHTER)

FREEMAN: One, the organ donation community is not intentionally keeping anything from anyone. We want everybody to be as informed as possible about the process and how it happens. And when it does happen, the families who were there, if you're brain dead, you can't feel it. You can't hear it. You can't see it. There's nothing you can do. The process is completely explained repeatedly, and their personnel spent hours with these families going over what the process is going to be, how is it going to play out, what the sequence that we just discussed is going to be, and precisely get them to understand that. And if the family doesn't wish to proceed, they don't.

GROSS: They have that right to...

FREEMAN: Always. It gets to be interesting when the person who is now brain-dead has signed a donor card and has explicitly said they wish to be an organ donor. And then there's either no family or there's a family member who wishes to go against that person's own wishes - wishes to go against first-person consent.

And usually, when it becomes known that the person's desires to be an organ donor were explicit - that's why we have registries now, and why on these registries there, again, is lots and lots of information about organ donation, what the process is, what happens to the person, the body, what happens after the procedure, what happens during the procedure. All of that is out there on the Web. And I think almost every state in the Union now has a donor registry where somebody can go and register to be an organ donor. And in that process, there's lots of information there.

Mr. Teresi is absolutely incorrect about the fact that people and families are not informed.

GROSS: Once the person is declared brain dead and is legally dead, who has legal rights in that situation - you know, in determining what should happen after the death? Or are you assuming everybody already knows and the decision's made, and that's all done?

FREEMAN: The right of the individual to say - to declare that they want to be an organ donor, those are the legal rights that get executed. I'm not a lawyer, so I do want to go too far, here, but it is their right to declare that they want to be an organ donor or not. And if they declare they want to be an organ donor, then the organ procurement organization's role is to be sure that those wishes are carried out.

GROSS: So the idea of your body being on what we call life support so that your lungs can take in oxygen and your heart can pump blood to circulate oxygen to the organs that are to be donated, this idea of the body still being on quote, "life support," even after the person's been declared dead, it does seem to, like, blur the line between what do we mean when we say life and death.

And it goes to the heart of, like, a very essential question, which is: What is the difference between the body and the animating spirit, or the body and the soul or the body and personhood, like whatever words you want to use? And it also kind of raises the question: Does the body want to be at rest after the animating force, whatever you want to call it, has departed? Or is it an affront to the body to be kept in that kind of limbo state? Does it matter at all? And I wonder if you ask yourself this kind of question a lot.

FREEMAN: The answer is all the time, and not just in the terms of organ donation. That's one of the things that I find so fascinating and intriguing and wonderful about transplantation. I'm a surgeon, so I do the technical things about it. But this is really the heart of the matter, really is the heart of the matter. So, do you believe in life after death? Transplantation is life after death, if you think about it. It is the - you know, the basis of almost every religion is do onto others as you would have done to you. And when people agree to be organ donors, it is one of the most life-sustaining, altruistic, wonderful things people can do.

GROSS: I understand what you're saying, but it's a different...

FREEMAN: And I'm...

GROSS: ...question than the one I'm asking.

FREEMAN: I understand. I understand. But - so, again, we're misusing terms here. So when somebody's declared brain dead, it's actually - I know that common usage. But when somebody is declared brain dead, it's not really correct to say that they are on life support anymore, because they're dead. They're not alive. It's not life support. It's physiologic support for the organs, but they're not - it's not life. It's not human life.

And so they are, their organs are supported by the ventilator, by the anesthesiologist administering fluids and giving drugs to be sure the blood pressure and the blood flow is maintained, but it's not life support anymore. It's organ support. And so it's really a misnomer to say, well, you're back on life support. You're not. You're dead. You're on organ support after you've been declared dead. And so that's really - again, it's much clearer than this book and this debate has made it to be, and I hope I'm trying to make it clearer.

GROSS: But I guess I'm wondering if you ever ask yourself: Does the body want to be at rest when - after the person has died?

FREEMAN: Well, I think the person wants to - just as you have when you've signed your donor card - wants to do a good thing for other people. And if there's any part - and none of us will ever know if the body wants to be at rest after it's been dead. Whatever that desire is, if that exists - and we don't know - is, many times, overcome by people's desire to do good for others, and that means being an organ donor, save other people's lives.

So if you just look at the organs, you're talking about seven people, seven other individuals whose lives can be dramatically improved by the organ transplant process. On average, it's three, but it can be as many as seven. And if you add into the fact of tissue donation for people that agree to be tissue donors, then you're talking about hundreds and hundreds of lives. And so every one of us can potentially save seven other people's lives by - through organ donation. And so I think that motivation, that altruistic desire and drive absolutely overrides any kind of hypothetical concern for the body wanting to be at rest.

GROSS: Doctor, do you do the surgical procedure on both ends? Do you both remove the organ from the deceased and transplant the organ to the person who will be given new life from those organs?

FREEMAN: Yes. Yes.

GROSS: That must be just a remarkable feeling to see one organ being taken from the dead and then giving life to a person who might die without it.

FREEMAN: There's a lot more to it than the cutting and sewing, I have to tell you. It is remarkable. Again, I'm biased. I've been doing this all my life, but I'm passionate about it. It is a remarkable thing. It's unique in human existence, I would go so far to say.

GROSS: You're like touching the essence of life, in a lot of ways, you know what I mean? And transplanting it. Do you talk with the families on both sides?

FREEMAN: Yes.

GROSS: And do you have to protect yourself from any end of it? Are there things that you really can't think about, that it's...

FREEMAN: Well...

GROSS: Yeah.

FREEMAN: One of the things that should be made completely clear, as well, is when I do the donor operation...

GROSS: Mm-hmm.

FREEMAN: ...I am not - have had no discussions - and this is true everywhere, in the world, pretty much - I have had no involvement with the decision-making regarding whether that person wanted to be a donor, whatever's lead up to all of that person actually becoming the, donor and so on and so forth.

Now in other scenarios, I've talked to families about being organ donors, but then I'm not the one involved doing the surgery on either end in those situations. And again, in the transplant world, there is a very powerful effort to keep the surgical procedure separated from the donation decision-making.

GROSS: And what's the reason for that? So it doesn't seem like you're pressuring somebody because you want the organ to transplant into somebody else?

FREEMAN: So - well, I don't think any transplant surgeon would really do that. But we don't want to have that ever be a concern of anyone's.

GROSS: Because it might look, for instance, like what we in journalism would call a conflict of interest.

FREEMAN: Yes. Yes, that's right. That's right. So - and I've also talked to the families of recipients numerous times. There are - as I tell my local reporters all the time, every time we do a transplant, it is probably one of the most profound human interest stories you could ever imagine, because every one of them has amazing aspects to it. And when you get into the discussion about living donors, as well, it's even more profound. So - and it's emotional, you know? It's emotional when we succeed, and it's emotional when we fail on both sides. And we don't always succeed.

GROSS: So let me ask you: You know, a lot of people who are organ donors, what they've done is they've checked the box on their license and it looks like, you know, done.

(SOUNDBITE OF LAUGHTER)

FREEMAN: Mm-hmm.

GROSS: But is it done if you've just checked that box on your license? Like, what else should you be thinking about? What else should you be doing? What should you tell your family if you truly want to be an organ donor and you want it to go as smoothly as possible, legally and medically?

FREEMAN: Oh, I think that's a great point. First of all, I hope people are not checking that box lightly and not thinking about it at all. If they are, then, I mean, it is a life-changing decision that you're making. And hopefully, the whole idea of checking the donor box and these donor registries is that you have spent time thinking about it, and more importantly, talked to your family at length about your desires and wishes, and that you have sought out the information that you need to make an informed choice about whether you want to be an organ donor or not.

GROSS: My impression is that, actually, very few of us will get to be organ donors because the criteria for organs that are transplantable is - they're pretty strict criteria.

FREEMAN: That's true. That's true. I think over - if you look at the entire number of deaths in the U.S., only about one or two percent of those deaths are actually potential organ donors. And that's because many people die with bad infections or from cancer or of old age. And all of those things are relative counter-indications to organ donation.

GROSS: Dr. Richard Freeman is a transplant surgeon and chair of the Department of Surgery at Dartmouth Medical School.

Coming up, Milo Miles reviews a new album by South African trumpeter Hugh Masekela. This is FRESH AIR.

Copyright ? 2012 National Public Radio?. All rights reserved. No quotes from the materials contained herein may be used in any media without attribution to National Public Radio. This transcript is provided for personal, noncommercial use only, pursuant to our Terms of Use. Any other use requires NPR's prior permission. Visit our permissions page for further information.

NPR transcripts are created on a rush deadline by a contractor for NPR, and accuracy and availability may vary. This text may not be in its final form and may be updated or revised in the future. Please be aware that the authoritative record of NPR's programming is the audio.

Source: http://www.npr.org/2012/03/19/148296627/blurring-the-line-between-life-and-death?ft=1&f=1007

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Ryan budget plan aims to seize spending debate

WASHINGTON (Reuters) - Republicans in the House of Representatives will try this week to seize control of the election-year spending debate by rolling out a plan to slash trillion-dollar deficits and revive controversial reforms to the Medicare healthcare program for the elderly.

The effort from influential House Budget Committee Chairman Paul Ryan aims to portray Republicans as unafraid to face the tough decisions needed to avoid what they warn is a looming debt crisis.

He intends to contrast Republicans with what they view as a big tax-and-spend budget from President Barack Obama that would produce a fifth straight year of $1 trillion deficits and make no major changes to Medicare or the Social Security government retirement program.

Ryan will unveil the sequel to his "Path to Prosperity" budget on Tuesday, with a committee vote scheduled for Wednesday. It is expected to be considered on the House floor the following week, an aide to House Majority leader Eric Cantor said.

Although the Ryan budget resolution is expected to win approval in the Republican-controlled House, neither it nor Obama's budget plan is expected to become law. Mainly, they will be used as campaign platforms detailing policies each party wants to pursue if it wins the White House and control of Congress in November.

The main goal for Republican lawmakers is to change the subject of campaign debates from political gridlock in Congress to one where they claim an advantage - spending and deficits.

Republican aides were keeping details under tight wraps, and Ryan's appearance on CNN's "State of the Union" program on Sunday was canceled without explanation.

The committee and Republican leaders were trying last week to quell an uprising among fiscal conservatives who were demanding deeper cuts than those specified in caps agreed to with Democrats in last year' debt limit deal. House leaders were insisting on a more modest cut of $19 billion to the budget caps for fiscal 2013, which starts on October 1.

But the quick committee vote on Wednesday and swift movement to the House floor - even with a critical highway bill still pending - is an indication that conflict may have been set aside and that there are sufficient votes to pass the budget plan without any help from Democrats.

MEDICARE REFORMS REDUX

Many of the 87 first-term Republicans in Congress were elected on pledges to slash wasteful Washington spending and the plan gives them an opportunity to get back on territory where they are more comfortable. Projections of ballooning U.S. debt are still a major election-year concern among voters.

"It will be a historic budget, it will alter the debt course of America," Senator Jeff Sessions, the top Republican on the Senate Budget Committee told Fox News Channel. "It will take us from unsustainability to sustainability. I'd like to see them go really far with that budget."

While Republicans aim to bring the budget back into balance without raising taxes, Obama's approach calls for higher taxes on the wealthy, while boosting investments in infrastructure and education and bringing deficits down more gradually to a sustainable level.

The Ryan plan is expected to draw a significant amount of its savings from reforms to Medicare and Medicaid, the healthcare programs for older Americans and the poor. But it will contain modifications from last year's plan, which proposed replacing traditional fee-for-service Medicare with a voucher-like system to allow seniors to purchase private insurance.

That set off a firestorm of controversy among seniors, helping Democrats to win control of a traditionally Republican House district in upstate New York last year.

Instead, Republicans aim to blunt that criticism by allowing seniors a choice between traditional Medicare and competing private plans, drawing on a proposal floated by Ryan and Democratic Senator Ron Wyden in December. They argue the changes will make the programs sustainable for future generations.

But analysts say Republicans will struggle to explain the Medicare reforms to seniors. Democrats, who are positioning themselves as defenders of the popular program, are itching for a fight over the plan.

In addition, the Republican plan is expected to shield defense spending from automatic spending cuts that kick in next January. Since a special commission failed to agree on deeper spending cuts after last year's debt limit deal, the government faces an across-the-board $97 billion budget cut.

Those cuts are expected to be shifted to other parts of the budget, including entitlements, in line with a similar proposal from the Republican-led House Armed Services Committee.

"House Republicans are continuing their efforts to reprioritize the savings called for under the Budget Control Act, because our troops and military families shouldn't pay the price for Washington's failure to take action," Ryan said in a statement last week.

(Additional reporting by Richard Cowan; Editing by Peter Cooney)

Source: http://news.yahoo.com/ryan-budget-plan-aims-seize-spending-debate-203934834.html

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Monday, March 19, 2012

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Source: http://asics.manablog.jp/archives/11744

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Saturday, March 17, 2012

ARTICLES MANIAC ? A Few Practical Plans For Home Improvement

Home improvement has become a popular topic, with lots of books, TV shows and websites devoted to every aspect of it. Despite the fact that they could tackle some projects that would make their home more comfortable and valuable, lots of people procrastinate on getting started. In this article we?ll be looking at some practical home improvement ideas that you can start this weekend.

A skylight can be a fantastic addition to your home. It immediately makes your room appear bigger and brighter and is also an energy saver. The addition of skylights will allow you to keep your energy bill a little more under control, by adding light and may even provide a little heat due to the sun. There are builders that can install your skylight for you, or you can do it yourself, it seems overwhelming, but is not that complex. Skylights can be plastic or glass, and made in the size and style that will do the most for your home.

Trees, hedges or shrubs can make a big difference to how your yard looks and can provide you with shade and privacy as well. Not only will shrubs and trees absorb excess moisture in the atmosphere, but they will also improve the look of your garden while protecting you from the sun and wind. You could always enjoy picking your very own fruit if the climate in your area allows for fruit trees. You could make your garden more private by planting hedges around the perimeter. This is a more attractive type of boundary than a wall, and you can have a variety of plants, shrubs or small trees that act as a barrier between your home and the outside world.

Taking out the trash is not something that anyone finds delight in however we all have to take care of it somehow. You can expedite your life with a trash disposal because it can lower the amount of trash you have. Garbage disposals do not cost much and they are pretty easy to install, as they generally can fit right inside the drain outlet of your kitchen sink. The primary positive thing about this is how it makes your life easier, due to the fact that it can cut down on the amount of trash your produce and the messiness of having to handle food wastes. The loudness of them is one thing that can be obnoxious, yet it is possible to try and locate one that is quieter than the majority.

To save a little money, you may choose to purchase the portable type of spa component; instead of having it stationary.

Some home improvement projects are inexpensive, but others require a substantial amount of cash, either for materials or for the help you have to hire. Consequently, do not start until you know that you have the money for it. Projects bettering your home could be extremely pleasing, since your house will appear and feel better but it?s also an investment towards its prospective worth. As a result, no matter if you want to sell your residence in the future or stay there forever, it is reasonable to make as much progress as possible.

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Meditation Makes Your Brain Quicker [Science]

Most people dismiss meditation as a bunch of hippy nonsense. But no longer; scientists have established that meditation, if done regularly and for long enough, is linked to the brain being able to process information faster. Take that, skeptics. More »


Source: http://feeds.gawker.com/~r/gizmodo/full/~3/ATdef5jSTuE/meditation-makes-your-brain-quicker

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Friday, March 16, 2012

How To Market Your Business Online Successfully | Internet ...

Online marketing has become one of the most popular ways to perform sales. Search engine optimization, advertising and various other marketing tactics are what online marketing is all about. Take a look at this article?s marketing advice if increasing your customer base and making more online sales sounds good to you.

It can be a scary prospect to determine exactly what you are going to do with your website. Eliminate sites slowly until you are down to just one, which would be the one you go with. Choose a niche that you know a lot about and have an interest in. Marketing your website will be easier when you have a definite goal.

It is important to include mobile marketing in your business plan. This gives you a chance to give visitors to your site a way to get alerts via text about discounts or new products. It is an innovative way to reach a broader audience, while they are on the go.

Using the word ?guarantee? gives an ad an air of quality and reliability. Customers want to know that your product is a sure bet before they part with their hard-earned cash. The guarantees that you offer can be different, depending on the product you are selling. A 90-day or lifetime guarantee would work. Depending on the quality of your product, you should choose the guarantee that will provide confidence without destroying your profits.

Offer advertising space on your site to major, credible companies to add to your own credibility and validate your business standing. Recognizable businesses will boost your image through the loyalty others have for their brand. Allowing this to take place will increase your traffic, and your site will become more popular instead of another business listing.

Online marketing is all about finding problems and their solutions. Every day, you will have to solve problems in your business and help others as well. If you assist somebody with a tricky situation, you will earn their loyalty and their recommendations.

If you want to run a good business on the internet, then you should find out what your competition is doing. Analyze the other websites and identify what improvements could be made to them. If you have a particular service other websites seem to be lacking in, make sure to highlight these on your site in an effort to beat the competition.

Observe what words were used in conversations so you can use them in other online marketing campaigns. People will feel more comfortable with you and your product, because you will be using terms they know and understand. When you use the right wording it will help you convey your messages better, which will in turn help your branding.

Learn from others? mistakes and make their failure work to your advantage. By using these tips, you can devise a successful online marketing strategy. You can carry you business through to profitability.

If you?re a small business owner looking to get a BIG presence online then you?ve found the right place, visit here at Atlanta Online Marketing or Atlanta Internet Marketing for more information.

Tags: Internet marketing

Source: http://articles.buildabetterbusinessonline.com/how-to-market-your-business-online-successfully/

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Thursday, March 15, 2012

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New Health And Fitness.Org - Health Information You Can Use

Eat super foods. Super foods are nutritious foods that have many healthy properties. They provide your body the nutrition it needs. Many nutritionists feel that if these foods were eaten instead of other foods, up to 70% of health problems could be eliminated! So next time you are reaching for food, think of skin care for wrinkles and make it one of the healthy super foods.

Before making any skin care regimen it is very crucial to know what skin type you have i.e. normal skin, too dry, too oily or skin with combination like where there are parts of the face and body which are dry and other parts oily and it is also important to before using any skin products.

Browse through the rest of this article. If you?re attempting to figure out whether or not you should look further into Herpeset Formula or you?re simply looking to improve your skincare regimen, the knowledge introduced in this article will be sure to help. You never know what may occur after reading this article. The methods below may change the well being of your pores and skin for the rest of your life.

What skin complexion do you have? Do you have brown complexion and wish to have whiter fairer skin? Or do you have white skin and you wish it to be whiter? Whatever it is that you aim for, there are ways you can achieve what you want. There are ways to be whiter or ways to get even fairer and whiter skin. And one of the top effective ways to a white skin is a skin brightener cream.

Make sure you have enough rest. Stress and pressure makes you grow older earlier than you expected. These two can make someone look older than he or she really is. To avoid early aging, have some rest, take a time for yourself. Pamper your body especially your skin once in awhile and get plenty of sleeps.

For those who suffer from embarrassing breakouts and painful irritation, these less-harsh and natural treatments ? oatmeal, mineral soap, and aloe vera ? may be the answer to their prayers. Each of them is completely organic or natural, have healing properties and are non-abrasive. Perhaps the best element they all share is that they can be found in any corner store or supermarket, and they can fit into any budget.

As far as possible try to use non-greasy type of moisturizer, humectants fall in this category which includes propylene glycol, urea, glycerin, hyaluronic acid like ingredients. Before applying any type of dry skin care moisturizers for skin cleansing and also, make sure that you use soap-free products (especially on your face, neck and arms).

There is lots of skin brightener cream in the market so a certain kind of cream shouldn?t be that bad in price. But, buying expensive ones isn?t helping you at all. You must see the label if it is trusted then look at its price if it?s reasonable or not.

More Items Written By This Author ? www.HerpesetNow.com. Take a look at these for extra details about this author?s other websites.

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Source: http://newhealthandfitness.org/2012/03/14/how-to-have-a-vibrant-looking-skin-read-our-easy-skin-care-tips-2/

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Rent ? or trade ? your kids' clothes online

Good Karma

The average amount families spend per year on each child's clothing ranges from $630 to $1,250, depending on household income and the child?s age, according to the 2010 USDA Expenditure on Children by Families report. But you could cut that expense by as much as half if you rent or trade in your kids? clothes. ?

Take clothing rental site Good Karma, for example. For $47.98 per month (or $575.75 per year), you get seven complete outfits from brands like Carters, Gap and Gymboree, plus seven sleepers and seven onesies. For $64.98 a month, you get higher-end brands like Tea Collection, Mini Boden and Ralph Lauren. There are larger and smaller packages available and sizes range from newborn to 24 months. The monthly price includes shipping.

Wooky Baby

If you?d rather piece together your child's wardrobe, check out Wooky Baby. Most items are available for $8 a month ? not a deal for basics, but great for full outfits, costumes and formal attire. You can also choose to purchase at a reduced price. For instance, the three-piece outfit shown here retails for $29; you can buy it for $16, or rent it for $6 a month. Sizes range from newborn to 3T.

If you want to outfit your child in high-end brands like Dior, Baby CZ and Lotusgrace for a special occasion, head over to Fanciu. There you can rent a $230 Lotusgrace purple silk party dress for $35 for four days. Like women's dress rental sites, the clothing arrives just prior to event date and must be postmarked for return the first business day after. Clothing is available in sizes 2-12.

ThredUP

You can sell your kids? like-new clothes for cash at ThredUP. They'll send you a free empty bag with a prepaid shipping label, and you stuff that bag with your kids? old clothes and leave it for your mail carrier. There are a few catches. Clothes must have been purchased within the last two years, and you only get cash for those items ThredUP thinks it can sell. You get more for premium brands and sizes that are in demand. Plus, you can?t get your items back once you?ve sent them.

You can also purchase items at 50 percent or more off the original purchase price through ThredUP, and, while browsing, I saw a lot labeled "NWT," or new with tags. Sizes range from newborn to 18.

OutGrowingIn

And if your kids actually wore their clothes more than a few times, you can swap them at OutGrowingIn. You list your boxes of clothing and every time another member picks one of your boxes, you get to pick a box of clothing from the site. You just pay $3 plus shipping.

For $24.95 per year, you can see the brand information of what's in the boxes, search by brand and set up alerts for a specific size or brand. Since you only get a box once someone else has picked yours, members have an incentive to post pictures of the box contents and provide details regarding the clothing.

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Source: http://digitallife.today.msnbc.msn.com/_news/2012/03/09/10621325-rent-or-trade-your-kids-clothes-online

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Wednesday, March 14, 2012

Ed Gibbs: THE YOUNG ONES: Australia&#39;s new breed of filmmakers ...

For someone who excelled at sport, representing her country in indoor soccer in both Europe and North America, Gracie Otto admits she still isn't sure how she wound up in an industry that's notoriously fickle and, for women, ageist and sexist. "I'd seen what it's like to be in the film industry and not work, as an actor, from my family," she says, of her parents Barry Otto and Susan Hill, and older half-sister Miranda. "I didn't really know what I wanted to do when I was playing soccer. I wanted to travel ? which we didn't do as a family ? but that was about it."

After a chance life-changing experience while still at school ? "We literally learnt how to edit from a VHS tape to a VHS tape, for school videos" ? she finally caught the film bug she'd been exposed to from a young age. But she swiftly realised that ? unlike her famous father and sister ? her calling lay behind the camera.

As we talk in her office in Sydney's Chippendale, Otto (above) is busily trawling through 400-odd pages of transcripts culled from more than two dozen interviews carried out across five cities around the world. They will form the basis for her as-yet-untitled documentary on British theatre and film impresario Michael White. At 24, Otto is typical of Australia's bright young things who, while hailing from relatively privileged homes, are determined to make their own mark, on their own terms, in an industry fostered by their parents in the 1970s and 1980s. While working on the White documentary ? her first feature-length project, following a string of well-received shorts ? she also found time to star in a friend's pop-art film, LBF. It premiered at last year's SXSW festival in Austin, Texas. Otto's performance was rather good, so anyone seeking to hurl potshots at her privileged background appears to be wasting their time. "People can be negative if they want to be," she says, "but it's not like you can help where you come from. You still have to prove yourself. We're trying to get more finance right now. But when you've grown up around [the film business], enjoyed it and had a good upbringing, I don't see why it matters. I went to film school in Sydney. This is what I want to do."

Once best known as a brand-ambassador socialite, Otto has a newfound supporter in the shape of Matilda Brown. The middle child of Aussie actor-producer Bryan Brown and actor-turned-director Rachel Ward, Brown (above) met Otto for the first time only last month, when Otto interviewed Ward for her Michael White film. No one was more surprised than Matilda Brown herself.

"I don't know whether I'd been a snob or in the back of my mind had been competitive, but we just hadn't met," Brown says. "I hadn't put out the hand of friendship. It's good to finally meet her and realise that we are like-minded people, that we do like the same things." The pair share, of course, that common bond of battling prejudice. "I had the guy in the local cafe say, after I was shortlisted for TROPFEST, 'Don't you think it's just because of your parents?'" Brown says. "You have things like that all the time, that make you question and think, 'I really hope not.' This is what I want to do, this my passion. I don't want to be constantly second-guessing myself." Brown, like Otto, has good reason to find such jibes irksome. In addition to making last month's Tropfest final (her second in three years), and some impressive acting turns, her latest directing effort, the short AM I OKAY?, has been selected for this year's St Kilda Film Festival. And although her work is grouped under her parents' New Town Films company, Brown's mother is quick to dismiss the notion of a "family firm" in development. Rachel Ward is adamant, in fact, that her daughter has done it all off her own bat.

"I mean, obviously she's familiar with this world, because of watching us," Ward (above) says, from the Balmain office of New Town Films. "She gets a bit of advice from us occasionally, but it's very much her own trajectory. She was the one who went off to film school, and moved from Sydney to Melbourne. She's been doing all her short films. She's the one who's led the charge. She's not a Mini-Me, by any means. It simply doesn't work like that."

Brown's work has also screened at a festival showcasing the work of female filmmakers, called World of Women's Cinema (WOW). This year's event kicked off last week in Sydney's Circular Quay. The festival director, Michelle Bleicher, believes this new generation of filmmakers is making a difference, although numbers on women in the industry remain elusive. "There is still very little data available on the numbers of women leaving the industry," she says, "and the reasons why. There are still issues of scales of pay as well. Any increase in numbers is welcome. Certainly, we have some very interesting voices emerging." Similarly, director Gillian Armstrong believes not enough has changed since her landmark debut MY BRILLIANT CAREER, 33 years ago. "Are there as many young women attending film schools? I had once thought that the problem came from the source, that young women weren't applying because they were still deterred by what seemed to be the technical side of filmmaking," Armstrong says. "But I don't think this is true any more." She adds: "A few years ago I spoke with the head of NYU Film in New York and they said there were as many young women graduates and that quite often they won student of the year ? but the problem was they weren't getting the breaks. It was harder to get their foot in the door, to get that first project up. Why? Because the studios ? and independent producers ? believe that the most successful films appeal to young men. And the studios are run by men."

Despite this, Armstrong's daughter, Billie Pleffer, only last month won two prizes at the 2012 Berlin International Film Festival for her debut short film, BINO. Unlike Gracie Otto and Matilda Brown, though, she "secretly" sent herself to film school in Melbourne, fearful of the shadow the family legacy would cast on her chances as a filmmaker. She even claims to have kept it under wraps in Berlin.

"There are so many expectations people have," the 26-year-old (above) says. "Like people thinking that I'm somehow getting a free ride. That's why I prefer to go out anonymous. Nobody knew at Berlin, and nobody knew at film school, either. If they had, they would have judged me in some way." Perhaps, in time, that will change ("I'm still only starting out, I want to find out myself," she adds.) But she's not alone in being wary of industry chatter, nor in finding it daunting to scale the lofty heights of the family heritage. Augusta Miller has similarly battled self-doubt. She, too, opted to move ? this time, to LA ? just weeks ago, in January, to focus on carving her own path. (Her father is producer-director George Miller, her mother theatre actor Sandy Gore.) She, too, has large shoes to fill: a daunting prospect, she says, that it's almost pointless to consider.

"It's been a challenge to admit I wanted to be in the industry at all," the 25-year-old writer-producer says. "I didn't have any rose-coloured glasses. It wasn't glamorised for me as a kid. My dad gave me some great advice: you just have to be able to create your own work, that's the most important thing. Then you're not waiting for the phone to ring. You're in charge of your own self-expression."

She adds: "There are so many children with parents in the industry, they're all finding their way. It's about carving your own path through life, of trying not to be intimidated by it. Because most of the time, the pressure is what you put on yourself. Certainly, Dad has never felt like I should compete, or that it wasn't even worth trying to compete with his success. That's not what it's about."

The NIDA graduate (above) ? who "cut dialogue and edited music" on both of her father's HAPPY FEET films ? is currently working on a documentary ("about farming"), has co-written a script with childhood friend Gracie Otto, and believes a dynastic scenario is inevitable in the Australian film industry. "A lot of us are of a similar age, and some of us are bound to want to be in the business in some form or other," she says. "I've gone to LA to try to work out what exactly I should focus on. Whatever that may be, I want to do my parents' legacies proud. I have to."

The actor daughter of Oscar-winning director Jane Campion is now shooting the Sally Potter film BOMB with Elle Fanning in London. She has three other films in the pipeline, including BEAUTIFUL CREATURES ? the first adaptation of Kami Garcia and Margaret Stohl's Caster Chronicles books. The Australian-born, English-raised daughter of actor Greta Scaachi and LAW & ORDER star Vincent D'Onofrio heads to New York in May to try her hand at acting, having studied filmmaking in Sydney in 2011. Mum and Dad are, she says, "really excited".

LBF screens at the Australian Film Festival in Sydney on March 14.?

The WOW Film Festival runs in Sydney until March 16. First published in The Sun-Herald.

Source: http://www.edgibbs.net/2012/03/young-ones-australias-new-breed-of.html

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